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“To commemorate the end of her recording contract with Warner Brothers, the label she had been with since 1982, Madonna released Celebration, a career-spanning greatest hits collection. There was the one-disc collection, a haphazard assembly of her biggest hits (with numerous omissions), and a deluxe” read more
“The edgy glam, sensual chic, and booming synths of Supernature get reconfigured on We Are Glitter, Goldfrapp’s remix album. These remixes bring the temperature down and transform them from stomping glam to atmospheric mood pieces. It’s a neat trick, and one that has peaks and valleys depending o” read more
“Chalk the original vision for Solo to the annals of “what might’ve been” cinema as their mid-shoot departure hinted at strife within the galaxy far, far away. As someone who generally enjoyed the new trilogy (it has problems, it has bold ideas), and found Rogue One to be the best modern Star W” read more
“A science-fiction and queer run through a fairly generic premise is almost saved, but not quite, by a unique animation style in Strange Frame: Love and Sax. A street saxophone performer meets girl, hits the big time, manager forces them apart, and topple the oppressive power that be as the strength ” read more
“A polite, charming riff on Pygmalion was a tyrannical director replaces his leading lady with Dorothy Lamour’s carnival worker. He remakes her entire personality into that of a glamorous French movie star by dangling the carrot of movie stardom and upward mobility. Along the way, she falls in love” read more
“Fascinating and compromised in equal measure, Shockproof is the sight of two disparate auterists meeting and finding their work interfered with by the studio. It’s clear that anyone who knows Samuel Fuller or Douglas Sirk’s major works will know that ironies and undercurrents abound, as do endin” read more
