“If I told you there was an animated film about the origins of the Santa Claus mythology would you picture something treacly and gushy? Granted, nothing involving Christmas can escape heavy sentimentality and requisite story beats, but Klaus counterbalances the sweet with the sour. Of course, the sou” read more
“It would be easy to write off 1917 as a technical display lacking in anything else, but that complaint is rooted in an inability to get past the central gimmick. Sam Mendes’ directorial achievement is from the school of Rope and Birdman: everything is presented as one long shot. Unlike those films” read more
“The Irishman finds Martin Scorsese once again in a sprawling crime saga, but this one is in a more muted key than previously explorations of this genre. Not to say that large portions of the film don’t have the energy of GoodFellas or Casino, but The Irishman is an overall more reflective and fune” read more
Once Upon a Time… in Hollywood
“Full disclosure: Quentin Tarantino’s cinema is something I’ve never responded to with the reverence and prosaic rhapsody of others. I find his comfortability with certain types of language empty provocations and his increasingly lackluster female characters are certain hardening of grossly mascu” read more