“All of these fairy tale adaptations have flirted with terrifying images, but “The Story of King Midas” gives us a warlock that looks like Nosferatu manifesting from a loose golden coin in a puff of smoke. This creature of dark magic wouldn’t be out of place in one of Ray Harryhausen’s Sinbad” read more
The Story of Hansel and Gretel
““The Story of Hansel and Gretel” is a remarked improvement over the same year’s “Rapunzel,” creating a sustained air of dread throughout its ten short minutes and then ending in a bittersweet happy ending. The innocence is forever lost in Hansel and Gretel’s dewy youth, but at least they” read more
“Made up of equal parts of the colored pencil warmth of a children’s storybook and European noir-ish intrigue of To Catch a Thief, A Cat in Paris is a charming mixed bag. The combination of flavors never settles into anything coherent, but it’s consistently lovely to gaze upon, cozy and artisanal” read more
“The Homesman is something of a mess, but in fractured moments it possess a stark, uncompromising poetry and a stellar pair of lead performances. The problem is, instead of just leaving well enough alone and pointing the camera at Hilary Swank and Tommy Lee Jones, Jones, who also directs, takes the n” read more
““The Story of Rapunzel” is probably the weakest of the fairy tale shorts that Ray Harryhausen made. Not for any particular reason besides the lack of a truly memorable villain to make it all worth the trip, of course this can be traced back to the source. The fairy tale drops the witch quickly a” read more
The Story of Little Red Riding Hood
“I first encountered these semi-campy, semi-terrifying stop-motion fairy tale films from Ray Harryhausen on a VHS tape collecting hundreds of public domain cartoons. Sandwiched in-between Fleischer cartoons, Little Audrey, Felix the Cat, and Mighty Mouse, these things stuck out not only for their jer” read more
““Mother Goose Stories,” or “The Storybook Review” depending on where you’ve learned the title, is a ten minute short film encompassing four nursery rhymes, complete and unabridged. It’s also just absolutely bizarre to watch given that stop-motion animation was nowhere near as fluid as it” read more
““Tulips Shall Grow” is a short film made during WWII that exists to give weight and artistic design to the phrase, “hope springs eternal.” It tells the story of a Dutch boy and girl romancing each other in a storybook Eden before mechanical screws render it a wasteland, only for divine inter” read more
“The Heiress is a prime example of the kind of literary adaptations that Hollywood once trafficked in. Films that fashioned intelligent frameworks from great novels allowing for a kind of cinematic poetry between the finely honed performances and staid melodrama, a type of cinematic language that no ” read more
“Ghostbusters, or Ghostbusters: Answer the Call as it’s dubbed during the end credits, is much better than the loud, annoying crybabies would have you believe. Much like the original, this spin on the material is a herky-jerky ride between improve comedy and jump-scares. When it works, it’s very ” read more
“What a mess this is. Everything you’ve ever heard about what a disaster the film version of the Broadway smash Mame is, well, it’s all true, every word of it. There’s no amount of exaggeration that can quite explain just how inept and fascinatingly awful this is. There’s a few bright spots, ” read more
“The final big screen pairing of Bob Hope and Lucille Ball, two indomitable performers and towering icons, and it is not worthy of rafter-shaking comedic talents. It plays not dissimilarly to an episode of I Love Lucy where she writes a questionably autobiographical novel and Ricky disapproves, only ” read more
“Cary Grant. Grace Kelly. Alfred Hitchcock. The French Riviera. There’s nothing else you need to make a wildly entertaining thrill ride, complete with some romance, action, and beautiful jewels. It’s charming minor Hitchcock, but an entry that is demonstrative of his range as an artist. Aft” read more