“Why do these thin children’s stories get blown out of proportion for feature length films? The greatness of something like The Story of Ferdinand is how such a slim story manages to pack such heart and emotion, and expanding it eventually means the studio enforced aesthetics takeover. That means w” read more
“Darkest Hour from the other side, and with many of the same problems as that film, Dunkirk is possibly director Christopher Nolan’s most emotionally distant and perfunctory film. There’s some bravura sequences scattered throughout, but great individual sequences do not a great film make. Dunkirk” read more
“You can take one look at the trailer or promotional materials and know exactly what type of movie Darkest Hour is. Handsomely mounted in that generic prestige way, it exists merely as a vehicle for a great actor to give a commendable performance as a real life figure and clean up at awards season. T” read more
“Guillermo del Toro’s entire career has been built on a profound empathy for the monsters and the outsiders, sometimes metaphorically, quite often literally, and that goes to a logical extreme in The Shape of Water. Imagine Creature from the Black Lagoon played out as a Beauty and the Beast-style r” read more
“Boy, the Academy must love Denzel Washington to sit through this movie long enough to decide that his performance was nomination worthy. Roman J. Israel, Esq. is an unfocused legal thriller, allegedly, orbiting around Washington’s movie star charisma. Often times, this is enough to get its lead ac” read more
“A two word premise that’s been stretched out to 97 minutes with a fair number of borderline nihilistic and confused messages going on, The Boss Baby has got to be one of the worst movies ever nominated for an Oscar. There’s clearly a very muddled message about an older sibling’s feelings of re” read more
“A clear signpost for Brian De Palma’s transition away from the more experimental early half of his career and towards the more coherent latter half, The Fury still plays out a smorgasbord of ideas thrown against a wall and waiting to see what sticks. Pumped full of so many detours and tonal change” read more
“Out of all of Christopher Guest’s mockmentary comedies, freewheeling exercises of improvised comedy with some of the best in the business, Best in Show clearly lives up to its title. This particular style of comedy is the one with the greatest degree of difficulty to execute. If you give too much ” read more
“A variation of the “boy and his dog” genre, but also something much deeper and more mature than that synopsis would suggest, The Iron Giant is a little movie with a powerful punch. Released in the summer of 1999, The Iron Giant was buried beneath an avalanche of Star Wars: The Phantom Menace and” read more
“Two privileged women (Elisabeth Moss, Katherine Waterston) retreat up to a remote cabin every summer, but something’s very different about this year’s trip. Not only do the women learn just how far they’ve drifted from each other, but one of them seems on the precipice of a complete emotional ” read more
“The general sense I get from this is that Joe Dante wanted to make one film, and the studio just kept muzzling him for whatever reason. Who knows why, but maybe it was a fear that the denizens of Termite Terrace needed to be softer to be more palatable to modern audiences. I don’t know, it’s jus” read more
“I didn’t grow up with The Last Unicorn, so this was actually an entirely fresh viewing experience for me. I knew nothing about it going in, and I was pleasantly surprised by it all. Not everything works, and some of it hampers or outright harms the overall vibrancy and coherence of the tone, but t” read more