A Christmas Gift for You from Phil Spector
“A Christmas Gift for You from Phil Spector is the sound of the super-producer taking his trademark “Wall of Sound” style and smashing beloved Christmas carols into it. “Winter Wonderland” and “White Christmas” now have more in common with “Da Doo Ron Ron” and “He’s a Rebel” tha” read more
You Make It Feel Like Christmas
“If you had asked me what I thought a potential Gwen Stefani Christmas album would sound like, I’d probably respond with something along the lines of the bratty New Wave of the Waitresses song “Christmas Wrapping,” maybe the synthpop of Wham!’s “Last Christmas” (more on that song later), ” read more
“Not quite standard yuletide fare but rather a lounge club act centered on the Christmas spirit, Merry from Lena zips and swings with Lena Horne’s trademark sultry and jazzy vocals and bits of adult-oriented humor to give it plenty of flavor. “Jingle All the Way,” a reworking of “Jingle Bells” read more
“The true crime story of Leopold and Loeb is something that continues to entrance audiences with its layers of complicated motivations and deviant behavior, add in a dash of homosexuality and Nietzschian ideology and the whole thing practically comes gift wrapped with tabloid glamour. The best known ” read more
“This one feels like a second-tier throwaway from MGM’s infamous Arthur Freed unit. Panama Hattie is only as good and entertaining as any individual scene in the movie, and some of it is truly uninspired or downright dumb. I’m thinking of just about any of the scenes with a precocious Jackie Horn” read more
“The all-star disaster epics of the 1970s were a strange little time capsule, as if the ethical quagmires and pervasive paranoia of the era could only be expressed in blockbusters that trapped a bunch of people in an isolated spot and made sure to shockingly kill off several of the big names every so” read more
“Angel, Angel, Down We Go, also known as Cult of the Damned, is a doozy of a head trip. I can’t even describe the plot, and won’t even try since none of it makes any sense and none of it feels consequential, but I can say it’s worth a glance. Don’t let my low star rating fool you, this isn’” read more
“After four years away from the screen, and the first work post-David O. Selznick’s passing, Jennifer Jones makes for a curious figure. She seems ill-suited to the role here, and vaguely embarrassed by the things asked of her in the part. There’s nothing about her performance that is as flagrantl” read more