“The Lashes debut album, Get It, is an infectious romp, but unlike their contemporaries Hot Hot Heat, the Strokes or Rooney, the Lashes sound like they’re aping their own generation. It’s not terrible; it’s harmless and very safe, but a lot of fun while it lasts. You won’t remember much of i” read more
Every Breath You Take: The Classics
“White boy reggae never sounded as good as it did with the Police’s barrage of stellar singles throughout the early 80s. Every Breath You Take: The Classics lives up to that subtitle even if the track listing is missing a few gems (“So Lonely,” “Synchronicity II,” “The Bed’s Too Big Wit” read more
“The Best of Village People displays that they were a great party band, and a reminder of just how silly, camp, and dumb they were. Their songs remain anthems for stadiums and awkward drunken dancing at wedding receptions. Come on, everyone’s had to suffer through watching their older relatives emb” read more
“Paul Thomas Anderson traffics in films that are purposefully oblique. They are sustained on mood, on character, on a ripeness of visual poetry that recalls the titans of cinema in a way that refracts them like a funhouse mirror. Phantom Thread, for all of its straight-ahead narrative propulsion, is ” read more
Three Billboards Outside Ebbing, Missouri
“Treating prickly subject matter with a carelessness and shock-and-awe grandstanding does not a great film make. No, no amount of verbal pyrotechnics about topics like racism, sexism, and culpability can mask the fact that Three Billboards Outside Ebbing, Missouri is flippant about things like charac” read more
“Seeing Cartoon Saloon attached to a new animated film perks my interest up just as much as seeing one coming out from Laika. Cartoon Saloon produced what are two of my favorite modern animated films, The Secret of Kells and Song of the Sea, so seeing their geometric animation style in the promotiona” read more
“Sometimes truth is infinitely stranger than fiction. Case in point, look at the romantic comedy interrupted that is The Big Sick. Loosely based on the real life courtship between co-writers Kumail Nanjiani and Emily V. Gordon, The Big Sick is a thoughtful examination of the ties that bind us togethe” read more
“On the periphery of Disney World there’s a little motel called Magic Castle, and it is here that we begin our story. It’s the summer, and we’re quickly introduced to Moonee (Brooklynn Prince, a stunner of a child actor’s performance), a six-year-old heavily interested in playtime, imaginatio” read more
“For better or for worse, Molly’s Game is Aaron Sorkin with the firehose going at full blast. If you’re a fan of Sorkin and his many –isms, then you’ll be in for a cinematic treat as there’s nearly two and a half hours of rapid-fire dialog to get through. If, like me, you’re something of ” read more
“The biggest problem with All the Money in the World is that its anchoring presence, that of billionaire J. Paul Getty, is just not interesting enough as presented here. He’s clearly meant to a figure of mythological proportions, and Christopher Plummer is valiantly trying to play him as such, but ” read more
“The Disaster Artist is pitched somewhere between star vanity project and reminder of what a gifted comedic actor it’s lead is, so think of it as something that encapsulates James Franco as a whole. It becomes something of an ego-stroking endeavor, as just about anything Franco touches inevitably d” read more
“There’s an uneasy tension laced throughout I, Tonya, as if the film is replicating the complicated athletic moves of its focus and it just as often fumbles the landing. Yet there’s still something absorbing and enthralling about it way it throws everything out there, class warfare, ambition, ath” read more
“Proof that an exciting concept is not enough to build a movie off of when you forget to populate with something beyond stimulating visuals. Loving Vincent is more of a film’s theory than an actuality, and it borrows artistic ambition and merit by piggybacking onto van Gogh’s work. Paintings that” read more