“Sayonara feels like the type of movie that was built for awards consideration. Just full of enough liberal politics to make people feel good about themselves watching it when it’s really just a mildly ridiculous, soapy melodrama. Half of the romantic equation here is more authentic and fraught the” read more
“The core of Hello, Dolly! is a warhorse of a show that is structured in such a way that it always works. Yes, it even works in this bullheaded adaptation which plays every single detail for the back of the house. It’s almost aggressive in its demands for maximum entertainment, as if it were trying” read more
“A confession: I eventually had to abandon Upstream Color with 30 minutes left to go. Look, you can bombard me with as much abstract and bizarre imagery as you want, but without a tether or reason to care about the abstract oddities, I will not care or invest my brain power and empathy into it.
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A Girl Walks Home Alone at Night
“A Girl Walks Home Alone at Night is a beautiful nightmare dipped in a silvery varnish. The narrative thrust of the film doesn’t matter, what matters is the evocative mood and daring visual sense of prior and encroaching gloom and doom. It seems only natural that a vampire would thrive among these ” read more
“Is my problem with Yelling to the Sky that it doesn’t have a story, but is merely a formless movie that follows around a character in her emotional development. My problem with it is that there’s nothing to gleam from it. It feels like the result of filming a group of actors going through exerci” read more
Miss Pettigrew Lives for a Day
“Giddy and buoyant, Miss Pettigrew Lives for a Day is a modern day variation of a screwball comedy. Picturing players like Carole Lombard as Delysia, Marie Dressler as Miss Pettigrew, and Robert Taylor as Michael should give you an idea about the type of movie we’re talking about. It’s full-throt” read more
“Remove the interracial marriage and diversity of the cast and Things We Lost in the Fire wouldn’t have looked out of place as a women’s picture tearjerker from the studio era. It’s a full-blooded melodrama that alternates between forlorn, cloistered emotional spaces and facile, artificial oper” read more
“As originally conceived, Robinson Crusoe on Mars was set be another disposable and ludicrously cheap/camp piece of sci-fi film-making from the 60s. Man gets stranded on Mars, fights all sorts of strange lizard monsters, befriends friendly comedic sidekick alien character, and becomes great liberator” read more
Guardians of the Galaxy Vol. 2
“During Dick Tracy’s “More” sequence, Madonna’s Breathless Mahoney sings: “But there’s nothing better than more, more, more/Nothing’s better than more.” If ever a lyric perfectly encapsulated the blockbuster film-making ethos that was it. And so we find ourselves watching Guardians of” read more
“There was a time when Disney would simply release their films from the vault, either on the big screen or on the home video market, then throw them back after a predetermined period of time. It was a simpler time. Then in 2010 Tim Burton was hired to do a live-action remake of Alice in Wonderland, i” read more
Teen Titans: The Judas Contract
“Fans of the DC Universe Animated Original Movies know that Teen Titans: The Judas Contract was originally announced as the intended third feature from the line. Then it all just disappeared for no apparent reason and remained dormant until the credits stinger of 2016’s Justice League vs. Teen Tita” read more
“Maybe it’s just a general sense that dark magic, weird mysticism, and twisted fantasy are subject matters that fascinate me, but Justice League Dark is one hell of a fun ride. Here is a film that dives into a niche group of characters and gives them a chance to shine. Yes, some of that shine is on” read more