“This has got Harvey Weinstein’s fingerprints all over it. What exactly do I mean by this? Well, there was a period of time when Miramax/Harvey Weinstein produced a never-ending parade of handsome adaptations of novels, some of them more prestigious than others, with vaguely respectable directors, ” read more
“The shop-girl makes good films gets an update (for the late-80s) in Working Girl. If you look under the hood of this thing, it’s built to last and form a foolproof exterior that runs like a dream. Add in a dash of the battle of the sexes vibrancy from films like Woman of the Year to the mix, and y” read more
“In many ways, An Unmarried Woman is a cosmetic update of a woman’s picture from the 40s. It wouldn’t be hard to imagine a tougher dame like Ginger Rogers or Carole Lombard starring in a fluffier, happier version of this story about a woman reconciling from a divorce and finding her footing again” read more
“Sayonara feels like the type of movie that was built for awards consideration. Just full of enough liberal politics to make people feel good about themselves watching it when it’s really just a mildly ridiculous, soapy melodrama. Half of the romantic equation here is more authentic and fraught the” read more
“The core of Hello, Dolly! is a warhorse of a show that is structured in such a way that it always works. Yes, it even works in this bullheaded adaptation which plays every single detail for the back of the house. It’s almost aggressive in its demands for maximum entertainment, as if it were trying” read more
“A confession: I eventually had to abandon Upstream Color with 30 minutes left to go. Look, you can bombard me with as much abstract and bizarre imagery as you want, but without a tether or reason to care about the abstract oddities, I will not care or invest my brain power and empathy into it.
read more